• In development
  • Feature
  • Coming-of-age / Military drama

The Reservist

A punk Army Reservist ordered to deploy to Iraq turns to his active-duty younger brother for guidance. When that brother is killed in action, he begins constructing a new identity to escape the war—only to discover that disappearing may mean abandoning everyone he still loves.

Written by Christopher Shank

  • FinalistRichmond International Film Festival
Express interest

Development status

  1. DoneConcept
  2. CurrentScreenplay
  3. NextPackaging
  4. AheadFinancing
  5. AheadPre-production
  6. AheadIn production

Synopsis

Eliot Howard is a punk musician, reluctant soldier, and young man who has spent much of his life rejecting authority.

Joining the Army Reserve was supposed to give him a future without surrendering the person he believed himself to be.

Then the Iraq War reaches his doorstep.

When Eliot receives orders to deploy, he turns to his younger brother Evan, an active-duty soldier whose understanding of service could hardly be more different from his own.

Before Eliot can make peace with the decision ahead of him, Evan is killed.

As his family and hometown struggle to absorb the loss, Eliot becomes increasingly alienated from everything the military expects of him. His punk friends see resistance as an act of personal freedom. His family sees obligation, duty, and the unbearable possibility of losing another son.

Eliot sees only a future he cannot face.

He begins preparing to disappear under a false identity, leaving behind his military obligation, his relationships, and the life he has built.

But escape comes with a price. Eliot must decide whether refusing a war he doesn’t believe in is an act of conscience—or whether he is using that conviction to avoid the people who still need him.

The Reservist explores the collision of military duty, individual identity, political disillusionment, family loyalty, and grief during the Iraq War era.

It neither romanticizes military service nor treats desertion as a simple act of rebellion. Instead, it asks what responsibility means when every available choice carries a moral cost.

Why I wrote it

The Reservist was one of the first major stories I developed following my brother Jeremy's death in Iraq.

It began as an attempt to make sense of his death, the war, and the conflicting emotions that followed.

I was interested in the distance between two brothers who approach service differently—and what happens when the brother who survives is left trying to understand the decisions of the one who didn't.

The screenplay has evolved considerably since its earliest conception, but that personal foundation remains.

The Reservist was named a finalist at the Richmond International Film Festival, and its origins were covered by the Southeast Missourian in the 2007 article For Jeremy.

Credits & attachments

  • Written by Christopher Shank

About the writer

Christopher Shank

Christopher Shank is an Atlanta-based screenwriter and writer-director who grew up in southeast Missouri.

His younger brother, U.S. Army Corporal Jeremy Shank, was killed in Iraq in 2006.

Although Christopher is not a military veteran, the experience of losing his brother—and his subsequent work as a Survivor Care Advocate with the Tragedy Assistance Program for Survivors (TAPS)—has profoundly influenced his understanding of military families, grief, and the lasting consequences of service.

He holds an MFA in screenwriting and has developed a body of feature screenplays spanning family drama, military storytelling, comedy, horror, and science fiction.

His screenplays have received recognition from the Atlanta Film Festival, Richmond International Film Festival, Austin Film Festival, Nashville Film Festival, and other competitions and programs.

Across genres, his work frequently examines loss, family relationships, moral responsibility, and the stories people tell themselves to survive difficult experiences.

Project inquiries

The Reservist is available for consideration by producers, production companies, directors, and financing partners interested in grounded military dramas and character-driven independent films.

Explore the project

Interested in The Reservist?

Producers, financiers, supporters, distributors and talent can contact Christopher Shank here. Your message goes to the creator, with a copy to The Veterans Channel. The full screenplay is shared on request under NDA.

More from the Slate

See all
Top